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Artwork Recent Acquisitions
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STEVEN VAIL FINE ARTS - PROJECT ROOM

Specializing in American and European Modern and Contemporary works on paper and original prints 
by artists of international reputation since 1996


Welcome to our website - please stay seated

 

WE'VE MOVED

The architecture firms spiller. and IDEAA converted a dim, dark raw space on the ground level of Des Moines' Fitch Building into a beautiful, light-filled gallery. Located a block from the John and Mary Pappajohn Sculpture Garden and sheltered from the city’s chaotic streets, Steven Vail Fine Arts – Project Room is comprised of a main exhibition salon, an art research library and an auxiliary exhibition space which will feature works from our collection. Executed by Christensen Development, the finished gallery is a beautiful, modern space that offers a retreat from the hustle and bustle of city life.





RECENT ACQUISITIONS

Miami Proposal IV (10/10), 1990

Alice Aycock

Miami Proposal IV (10/10), 1990

Screenprint

29 x 22 in
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Miami Proposal II (26/40), 1990

Alice Aycock

Miami Proposal II (26/40), 1990

Screenprint

29 x 22 in
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Movie Night (10/15), 2016

Andy Burgess

Movie Night (10/15), 2016

Relief, intaglio, archival inkjet, enamel paint, collage

24 x 24 in
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Good Ideas (17/24), 2006

Squeak Carnwath

Good Ideas (17/24), 2006

Intaglio

14 x 14 in
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Forma enfadada amb dents (18/35), 2012

James Siena

Forma enfadada amb dents (18/35), 2012

Etching

20.50 x 18.50 in
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Roda tergiversada amb quartre forats (18/35), 2012

James Siena

Roda tergiversada amb quartre forats (18/35), 2012

Etching

20.50 x 18.50 in
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Officer of the Court (Courtroom Print #3) (6/20), 2016

Alix Lambert

Officer of the Court (Courtroom Print #3) (6/20), 2016

Lithograph with hand-coloring in watercolor pencil

11 x 8.50 in
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Defendant (Courtroom Print #2) (6/20), 2016

Alix Lambert

Defendant (Courtroom Print #2) (6/20), 2016

Lithograph with hand-coloring in watercolor pencil

15 x 11 in
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Ideally This Print Will Take You Far Away (20/30), 2016

Laure Prouvost

Ideally This Print Will Take You Far Away (20/30), 2016

Etching

23.50 x 17.75 in
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Ideally This Print Would be Hanged Higher (21/25), 2016

Laure Prouvost

Ideally This Print Would be Hanged Higher (21/25), 2016

Etching

23.50 x 17.75 in
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For Every Action There is a Reaction, 2008

Jeremiah Elbel

For Every Action There is a Reaction, 2008

Charcoal on paper

11 x 14.50 in
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The Weeping Proletariat, 2008

Jeremiah Elbel

The Weeping Proletariat, 2008

Charcoal on paper

11 x 14.50 in
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Royal Curtain (140/250), 1980

Gene Davis

Royal Curtain (140/250), 1980

Lithograph

30 x 22 in
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Heat From the Core Raises Mountains and Opens Oceans (10/42), 2011

John F. Simon, Jr

Heat From the Core Raises Mountains and Opens Oceans (10/42), 2011

30 color water-based screenprint

30 x 36 in
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Anna (8/40), 2013

Alex Katz

Anna (8/40), 2013

Etching

40 x 30 in
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Disque Carre Bleu Jaune (21/50), 1972

Pol Bury

Disque Carre Bleu Jaune (21/50), 1972

Aquatint

24 x 15.75 in
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Getty - Series II (23/30), 1995

Richard Meier

Getty - Series II (23/30), 1995

Relief print on handmade paper

36.50 x 34.50 in
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Untitled (Electrical Cord Red), 1990

John "Crash" Matos

Untitled (Electrical Cord Red), 1990

Screenprint Monotype

20 x 29 in
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Untitled (Car Monotype), 2012

John "Crash" Matos

Untitled (Car Monotype), 2012

Color Screenprint

30 x 33 in
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4:30 PM (33/100), 2017

Alex Katz

4:30 PM (33/100), 2017

Archival pigment inks on Entrada Rag Bright 300 gsm fine art paper

21 x 42 in
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1B (+) (17/24), 2001

Bernar Venet

1B (+) (17/24), 2001

2-color silkscreen on Arches watercolor, hot press, 640 gsm paper

22 x 30 in
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4Y (-) (17/24), 2001

Bernar Venet

4Y (-) (17/24), 2001

2-color silkscreen on Arches watercolor, hot press, 640 gsm paper

22 x 30 in
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Tandem Series #30, 1988

Lynda Benglis

Tandem Series #30, 1988

Relief, hand painted watercolor, collage

38.50 x 24.50 in
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Curtain Call (20/20), 1990

Frances Myers

Curtain Call (20/20), 1990

Etching, relief

37.75 x 52.25 in
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Sin Título-2 (1/35), 1997

Guillermo Kuitca

Sin Título-2 (1/35), 1997

Lithograph and Etching

22 x 30 in
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To be Titled (1/9), 2005

Beverly Semmes

To be Titled (1/9), 2005

Stone lithograph

30 x 22 in
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Lock and Key (State I) (20/20), 1989

Robert Colescott

Lock and Key (State I) (20/20), 1989

Nine color lithograph

42.06 x 30 in
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The Meteor Hits Picasso's Bed (54/150), 2012

James Rosenquist

The Meteor Hits Picasso's Bed (54/150), 2012

One color photogravure

14 x 11.50 in
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Untitled (54/150), 2012

Brice Marden

Untitled (54/150), 2012

One color photogravure/etching

14 x 14 in
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Obama (54/150), 2012

Robert Gober

Obama (54/150), 2012

Five color screenprint

14 x 12 in
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Married (54/150), 2012

Chris Burden

Married (54/150), 2012

Twelve color screenprint

12 x 13 in
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In Town (54/150), 2012

Frank Gehry

In Town (54/150), 2012

One color lithograph

11 x 14 in
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From the Lives of the Saints (3/70), 1975

R.B. (Ronald Brooks) Kitaj

From the Lives of the Saints (3/70), 1975

Screenprint photo collage

26 x 44.75 in
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Untitled (16/20), 2011

David Leventhal

Untitled (16/20), 2011

Pigment ink jet print on paper

21.37 x 16 in
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Positions on the Desert Portfolio (6/30), 1991

Terry Allen (Collaboration)

Positions on the Desert Portfolio (6/30), 1991

Portfolio of 6 color lithographs

30.50 x 39 in
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Country City Scapes: You're A Dead Man (43/60), 2001

Ed Ruscha

Country City Scapes: You're A Dead Man (43/60), 2001

Four color photogravure with screen printed text.

18 x 14 in
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Western Pals (4/40), 1997

Red Grooms

Western Pals (4/40), 1997

Color lithograph on Rives BFK

9 x 13 in
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Girlie (22/100), 1970

Larry Rivers

Girlie (22/100), 1970

Silkscreen and collage on Arches Paper

18 x 28 in
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Foyer (8/30), 1996

Tina Barney

Foyer (8/30), 1996

C-print

15.50 x 19.50 in
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Nudes #9 (8/100), 2002

Tina Barney

Nudes #9 (8/100), 2002

C-print

15.50 x 19.50 in
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Altitlo, Chimborazo, Ecuador (8/500), 1982

Sebastiao Salgado

Altitlo, Chimborazo, Ecuador (8/500), 1982

Black and white iris print

34.50 x 34.50 in
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Untitled (Walking) (18/100), 1987

Roy De Forest

Untitled (Walking) (18/100), 1987

Lithograph on Arches paper

22 x 30 in
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Ferris Bueller's Day Off (8/100), 2014

Alex Israel

Ferris Bueller's Day Off (8/100), 2014

Silkscreen, embossed, with collage

24 x 18 in
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Headers from Witness (41/75), 1968

Gerald Laing

Headers from Witness (41/75), 1968

Screenprint in colors with silver mylar on wove paper

23 x 29 in
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Amboosh (42/50), 1972

Peter Saul

Amboosh (42/50), 1972

Lithograph on Arjomari paper

30 x 40 in
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Screen (5/25), 1996

Richmond Burton

Screen (5/25), 1996

Aquatint with spit bite sugar lift

21.25 x 29.50 in
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HOT (LP/MP/100), 1973

Robert Cottingham

HOT (LP/MP/100), 1973

Color lithograph

23 x 2.78 in
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Constellation I (71/90), 1971

Allan D'Archangelo

Constellation I (71/90), 1971

Screenprint with embossed border

26 x 26 in
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Constellation III (48/90), 1971

Allan D'Archangelo

Constellation III (48/90), 1971

Screenprint with embossed border

26 x 26 in
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Untitled (NYC) - Variant Edition (43/45), 1985

Chris "Daze" Ellis

Untitled (NYC) - Variant Edition (43/45), 1985

Lithograph with handcoloring by the artist in gold-based Sharpie

28.25 x 35 in
Purchase Inquire
Untitled (Homage to Jan Hoet) (94/100), 2004

Gunther Forg

Untitled (Homage to Jan Hoet) (94/100), 2004

Lithograph

30 x 22.50 in
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Orbital (109/150), 2001

Mark Francis

Orbital (109/150), 2001

Lithograph with hand screenprinted varnish

29.50 x 22.75 in
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Untitled (30/150), 1968

Robert Goodnough

Untitled (30/150), 1968

Color screenprint

30 x 22 in
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Men of Europe. 1915. (63/70), 1972

R.B. (Ronald Brooks) Kitaj

Men of Europe. 1915. (63/70), 1972

Color screenprint and photo-screenprint

29.62 x 22.75 in
Purchase Inquire
Thai Dreams (AP 5/10 from 225), 2006

Julian Lethbridge

Thai Dreams (AP 5/10 from 225), 2006

Color silkscreen

14.25 x 11.25 in
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Untitled (Sketch Process) (27/50), 2006

Ryan McGinness

Untitled (Sketch Process) (27/50), 2006

Color lithograph

39.25 x 27.50 in
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Signes i oxid (III/XXX), 2005

Antoni Tapies

Signes i oxid (III/XXX), 2005

Etching and aquatint with softground

13.25 x 14.75 in
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Untitled (Monotype) (1/1), 1997

Dan Walsh

Untitled (Monotype) (1/1), 1997

Monoprint etching

13.50 x 23.50 in
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Duchamp from Sequences (45/60), 1998

Elaine Sturtevant

Duchamp from Sequences (45/60), 1998

Grano lithograph on Rives rag paper

19.57 x 15.57 in
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Untitled, 1964

Elaine de Kooning

Untitled, 1964

Six color screenprint

17.40 x 23 in
Purchase Inquire
Donuts (19/30), 1995

Jane Dickson

Donuts (19/30), 1995

Lithograph with collotype

9.75 x 14.50 in
Purchase Inquire
Yo Yo Ride (Small version) (13/13), 1986

Jane Dickson

Yo Yo Ride (Small version) (13/13), 1986

Etching and carborundum

18 x 23 in
Purchase Inquire
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